Sculptures

In "Moments Encircled," my latest series of digital concept sculptures, I'm deeply engrossed in bridging the gap between traditional bronze casting methodologies and cutting-edge digital technologies. Each sculpture in this series serves as a testament to the seamless integration of these seemingly disparate realms, emphasizing not just the artistry of the final piece, but also the intricate dance between the virtual and the tangible. As defined by the Oxford Dictionary, sculpture has historically been shaped through the tactile manipulation of stone, wood, or metal. However, the advent of digital tools has introduced a new dimension to this ancient art form.

At the heart of this endeavour lies a profound exploration of subjects engaged in verbal or postural dialogue, transcending mere representation to evoke a palpable sense of interaction and connection. This thematic focus infuses each sculpture with a dynamic energy, inviting viewers to immerse themselves in the narratives unfolding within the sculptural space.  Harnessing the power of high-resolution 3D printers, scanners, and virtual reality studios, I embark on a journey of digital craftsmanship, sculpting forms that pulse with life and emotion in the virtual realm. Yet, it is the alchemy of traditional bronze casting that breathes tangible existence into these digital creations, elevating them from pixels to palpable works of art.

In "Moments Encircled," viewers are invited to witness the convergence of past and future, as ancient bronze casting techniques intersect with cutting-edge digital design methodologies. Each sculpture becomes a testament to the limitless possibilities afforded by this symbiotic relationship, offering a glimpse into a world where innovation and tradition coalesce to redefine the boundaries of artistic expression.

As you view these excerpts from "Moments Encircled," consider the aesthetic of the sculptures themselves but also contemplate the profound implications of this union between old and new. For in this fusion of technology and tradition lies not just the evolution of sculpture but also a reflection of our own capacity to adapt, innovate, and create anew.

  • Bronze Anansi sculpture with Voronoi patterned spider-like legs emanating from polished body, on curved base.

    Anansi

    The bronze sculpture depicts Anansi, a prominent figure in African folklore often portrayed as a spider. The artwork shows Anansi's humanoid form with multiple legs radiating outward, reminiscent of a spider's limbs. The legs are adorned with intricate Voronoi patterns, creating a captivating textural contrast against the smooth, polished bronze of the central body. The sculpture is balanced on a curved base, adding a sense of movement and fluidity to the piece. The combination of the traditional African folktale character and the modern Voronoi design elements results in a striking and thought-provoking work of art.

  • Bronze sculpture "Cradle": female figure in fetal position within circular frame, partial Voronoi texture. Introspective and symbolic.

    Cradle

    The bronze sculpture titled "Cradle" portrays a solitary female figure curled within a circular structure, evoking a sense of introspection and self-containment. The woman's body is sculpted with great attention to anatomical detail, showcasing the artist's skill in capturing the human form. Her legs are drawn up towards her chest, and her arms wrap around them, creating a compact, fetal-like position that suggests a state of vulnerability or deep contemplation. The Voronoi texture applied to sections of the sculpture creates an intriguing contrast between the smooth, flowing lines of the body and the geometric, almost crystalline patterns.

    . "Cradle" is a thought-provoking and emotionally resonant work of art that invites contemplation on themes of introspection, vulnerability, and the human experience.

  • Bronze sculpture "Temptation": Intertwined male and female figures in sensual pose, partial Voronoi texture. Provocative and dynamic.

    Temptation

    The bronze sculpture depicts two figures, a male and a female, engaged in a provocative dance. The figures are positioned within a circular frame, their bodies intertwined and arching towards each other, creating a sense of dynamic movement and sensual tension. The postures and gestures of the figures suggest a narrative of seduction, desire, and the push-and-pull of temptation.

    The postures and gestures of the figures suggest a narrative of seduction, desire, and the push-and-pull of temptation. The Voronoi texture applied to portions of the sculpture adds a layer of visual intrigue and modernity to the classic subject matter. "Temptation" invites the viewer to contemplate the eternal dance of attraction, seduction, and the complexities of human desire.

  • Bronze sculpture "Conciliation" of embracing man and woman with Voronoi texture, supported by curved bands on marble base.

    Conciliation

    The bronze sculpture "Conciliation" portrays a tender moment between a man and woman. The man stands behind the woman, gently embracing her with his arms around her waist. The woman leans back into his embrace, her body language conveying trust and comfort. The Voronoi pattern adds an intriguing texture to portions of their bodies, creating a visually striking contrast with the smooth bronze surfaces. The sculpture is supported by intertwining curved bands, further emphasizing the theme of unity and connection. The artwork beautifully captures the essence of reconciliation and the power of human connection.

  • Bronze sculpture "Thrall" of muscular male slave with Voronoi texture, on circular base with curved bands.

    Thrall

    The bronze sculpture "Thrall" depicts a male slave figure with a powerful, muscular physique. His posture conveys a sense of both strength and subjugation, with his head slightly bowed and his arms held close to his body. The Voronoi pattern is applied to portions of his body, creating an intriguing visual texture that suggests the psychological and physical scars of enslavement. The sculpture stands atop a circular base with curved, intertwining bands, adding to the dynamic composition. "Thrall" serves as a compelling artistic commentary on the dehumanizing nature of slavery and the resilience of the human spirit.

  • Bronze sculpture of intertwined male & female figures, partially textured with Voronoi patterns, on circular base.

    Paramour

    The bronze sculpture depicts an intertwined male and female figure, with a unique Voronoi pattern texture applied to parts of their bodies, creating an intriguing visual contrast between the smooth and geometrically-fragmented surfaces. The sculpture sits atop a circular bronze base with curved supports.

  • Bronze sculpture of intertwined male & female figures in pendulous pose, partially textured with Voronoi patterns.

    Pendulous

    The bronze sculpture depicts two intertwined figures, a male and a female, hanging in a pendulous pose. The Voronoi texture effect is applied to portions of their bodies, creating an intriguing geometric pattern that contrasts with the smooth bronze surfaces. The sculpture is displayed within a circular bronze frame, suspended by curved supports.

  • Bronze sculpture "Jive" - male & female figures dancing, partially textured with Voronoi patterns, in circular frame.

    Jive

    The bronze sculpture depicts a male and female figure dancing together in a lively, energetic pose. The Voronoi texture effect is applied to portions of their bodies, creating a unique geometric pattern that adds visual interest and dynamism to the smooth bronze surfaces. The sculpture is displayed within a circular bronze frame, supported by curved stands.

  • Bronze sculpture "Severance" - male & female figures pulling apart, partially textured with Voronoi patterns, in frame.

    Severance

    The bronze sculpture depicts two figures, a male and a female, pulling away from each other in a dynamic, twisting motion. The Voronoi texture effect is applied to parts of their bodies, creating a striking geometric pattern that contrasts with the smooth bronze surfaces. The sculpture is displayed within a circular bronze frame, mounted on a curved base.

  • Bronze sculpture "Dyad" showing intertwined male and female figures, partially textured with Voronoi pattern, in circular frame.

    Dyad

    The bronze sculpture depicts a male and female figure intertwined within a circular frame. The figures are rendered in a realistic style, capturing the musculature and form of the bodies. A portion of the sculpture features a Voronoi texture effect, creating a geometric pattern that adds visual interest and a modern aesthetic to the piece. The sculpture evokes a sense of connection, balance, and unity between the two figures.

Bronze Sculpture Casting Process

  • "Thin wax rod or channel attached to wax sculpture, providing path for molten metal to flow into mold cavity during lost-wax casting process"

    Sprue

    A wax rod or channel attached to the wax replica, serving as a passage for molten metal to enter the mold during casting

  • "Wax rod or channel on wax replica allowing molten metal to flow into mold cavity during lost-wax casting process of creating metal sculpture"

    Sprue

    A wax rod or channel attached to the wax replica, serving as a passage for molten metal to enter the mold during casting

  • "Wax rod attached to wax replica, creating passage for molten metal to flow into mold cavity during casting process of metal sculpture"

    Sprue

    A wax rod or channel attached to the wax replica, serving as a passage for molten metal to enter the mold during casting

  • Wax rod or channel on wax sculpture model providing pathway for molten metal to enter mold cavity during casting process of metal art

    Sprue

    A wax rod or channel attached to the wax replica, serving as a passage for molten metal to enter the mold during casting

  • Wax rod or channel on wax replica allowing molten metal to flow into mold cavity during casting process of creating metal sculpture

    Sprue

    A wax rod or channel attached to the wax replica, serving as a passage for molten metal to enter the mold during casting

  • Wax rod/channel on wax replica providing passageway for molten metal to enter mold cavity during casting process of sculpting metal art

    Sprue

    A wax rod or channel attached to the wax replica, serving as a passage for molten metal to enter the mold during casting

  • Wax rod or channel affixed to wax sculpture allowing molten metal to flow into mold cavity during lost-wax casting process of metal art

    Sprue

    A wax rod or channel attached to the wax replica, serving as a passage for molten metal to enter the mold during casting

  • Heat-resistant crucible or container used for melting bronze or other metal materials to molten state for pouring into molds during casting

    Crucible

    Heat-resistant container used to melt the bronze or other metal for casting.

  • Heat-resistant crucible container for melting bronze or other metals to liquid state, preparing molten material for pouring into molds in casting process

    Crucible

    Heat-resistant container used to melt the bronze or other metal for casting.

  • Heat-resistant crucible or melting pot used to melt bronze to molten state, preparing liquid metal for pouring into molds in casting process

    Crucible

    Heat-resistant container used to melt the bronze for casting.

  • Heat-resistant crucible container used to melt bronze into molten liquid state, preparing metal for pouring into molds in casting process

    Crucible

    Heat-resistant container used to melt the bronze for casting.

  • Pouring vessel or container used to transfer molten metal from crucible to mold cavity during casting process of creating metal sculptures

    Ladle

    Container used to transfer molten metal from the crucible to the mold

  • Negative plaster mold or impression made from original sculpture model, used for casting metal or other materials in lost-wax process

    Ladle & Mold

    The negative impression of the original model, usually made of plaster.

  • Negative mold impression of original sculpture model, typically made from plaster, silicone or rubber for casting metal or other materials

    Mold

    The negative impression of the original model, usually made of plaster, silicone, or rubber

  • write 123-character image alt tag for this statement - The negative impression of the original model, usually made of plaster.

    Molds

    The negative impression of the original model, usually made of plaster.

  • write 123-character image alt tag for this statement - The negative impression of the original model, usually made of plaster, silicone, or rubber

    Mold & Wax

    The negative impression of the original model, usually made of plaster, silicone, or rubber

  • Negative silicone mold or impression cast from original sculpture model, used for reproducing the form through casting of metal or other materials

    Mold & Wax

    The negative impression of the original model, usually made of silicone

  • Negative impression mold made of silicone rubber cast from original sculpture model, used for reproducing form through casting process

    Mold & Wax

    The negative impression of the original model, usually made of silicone,.

  • Negative silicone mold or impression cast from original sculpture model, used to reproduce the form through casting of metal or other materials

    Mold

    The negative impression of the original model, usually made of silicone.

  • write 123-character image alt tag for this statement - The negative impression of the original model, usually made of silicone

    Mold

    The negative impression of the original model, usually made of silicone

  • Wax frame base of sculpture before investment casting process, forming foundation onto which wax patterns are attached for lost-wax casting

    New List Item

    The cast wax frame base prior to investment casting

  • Cast metal sculpture pieces that have undergone chasing or refining of surfaces before being assembled into complete sculptural form

    New List Item

    Castings having been chased prior to assembly

  • write 123-character image alt tag for this statement - The unfinished model

    Bronze Casting

    The unfinished model

  • Surface patina or colored finish on bronze sculpture, achieved through chemical treatments or heat application to oxidize metal surface

    Model Patina

    The surface coloration or finish applied to the bronze casting, often achieved through chemical treatments or heat.

  • write 123-character image alt tag for this statement - Completed bronze casting on marble base pictured on table with red rose

    Finished Cast Sculpture

    Completed bronze casting on marble base pictured on table with red rose